A luxurious top layer, the Arwen coat is brought to life in plush faux-fur fabric. Dropped shoulders and an exaggerated lapel collar emphasize the silhouette's oversized shape. Button closure Single-breasted Oversized lapel collar Dropped shoulders Side pockets Plush faux fur 76% acrylic, 24% polyester Dry clean Made in China Size & Fit True to size with an oversized fit Please note, below measurements reflect Diane von Furstenberg's size chart, not the actual garment. Size XS: 33.5-34.3in chest, 25.6-26.4in waist, 35.4-36.2in hips Size S: 35.4-36.2in chest, 27.6-28.3in waist, 37.4-38.2in hips Size M: 37.4-38.2in chest, 29.5-30in waist, 39.4-40.2in hips Size L: 40.6-42.9in chest, 32.7-35in waist, 42.5-44.9in hips Size XL: 44.5-46.7in chest, 36.6-39in waist, 46.5-48.8in hips Diane Von Furstenberg Women's Arwen Faux-Fur Coat in Houndstooth Royal Blue Polyester

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First seen in Jul 2024

DIANE VON FURSTENBERG

Women's Arwen Faux Fur Coat In Blue

€746 to €845

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DIANE VON FURSTENBERG DIANE VON FURSTENBERG ARWEN HOUNDSTOOTH CHECK FAUX FUR COAT

Nordstrom

€845

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, 7863857_HOUNDSTOOTH ROYAL BLUE

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DIANE VON FURSTENBERG ARWEN COAT BY DIANE VON FURSTENBERG IN SIZE L

Diane von Furstenberg

€746

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, 9429659844932

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Diane von Furstenberg

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Product Details

DIANE VON FURSTENBERG ARWEN HOUNDSTOOTH CHECK FAUX FUR COAT

The fur may be faux, but when it comes to statement-making this coat is the real deal. Front hook-and-eye closure Notched lapels Front welt pockets Lined 76% acrylic, 24% polyester faux fur Dry clean Imported

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ARWEN COAT BY DIANE VON FURSTENBERG IN SIZE L

An undeniable statement-maker, the Arwen coat is cut from an ultra-soft faux fur. This piece has a large collar, long, loose sleeves, and an oversized fit that falls around the knee. If you prefer a closer fit consider sizing down, as our outerwear is made with extra room for layering and a relaxed fit. Yana K is 178 CM and wearing a size XS.<br>

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about DIANE VON FURSTENBERG

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Diane von Furstenberg first entered the fashion world in 1970 with a suitcase full of jersey dresses. Four years later, she created the wrap dress, which came to symbolize power and independence for an entire generation of women. By 1976, she had sold over a million of the dresses and was featured on the cover of Newsweek. In 1997, after a hiatus from fashion, Diane re-launched the iconic dress that started it all, reestablishing her company as the global luxury lifestyle brand that it is today. DVF has expanded to a full collection of ready-to-wear and accessories including shoes, handbags, small leather goods, scarves, and jewelry. The company also offers luggage, eyewear, and home furnishings. DVF is now sold in over 55 countries, including 132 DVF owned and partnered stores throughout North and South America, Europe, the Middle East and Asia Pacific. In 2005, Diane received the Lifetime Achievement Award from the Council of Fashion Designers of America (CFDA) for her impact on fashion, and one year later was elected the CFDA’s President. In this significant role, she has dedicated herself to fostering emerging talent and helping to establish the Design Piracy Prohibition Act, which protects designers from counterfeit reproductions of their work. In 2015, Diane was named Chairman of the organization. Diane's commitment to empowering women is expressed not only through fashion but also philanthropy and mentorship. She sits on the board of Vital Voices, a non-governmental organization that supports female leaders and entrepreneurs around the world. In 2010, with the Diller-von Furstenberg Family Foundation, Diane established the DVF Awards to honor and provide grants to women who have displayed leadership, strength and courage in their commitment to their causes. In 2014, Diane published a memoir, The Woman I Wanted to Be. In 2015, she was named one of the TIME 100 Most Influential People. With her corporate headquarters in New York's Meatpacking District, Diane has long been a vocal member of the local community and was actively involved in the campaign to save the historic High Line railway and to develop The High Line into what it is today. She also serves on the board of Culture Shed, the new center for artistic and cultural innovation in New York City.

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